Patterns vs Structures

Patterns vs Structures

Do you wonder if every story you need to convey ‘fits' within one of our seven patterns?

It may shock you that I don't think they will!

I do think the patterns are a fabulous guide, but encourage you to use them as a starting point that enables you to finesse them using the core storylining principles.

But … how to do that?

I suggest you ‘hack' your structure first using our storyline planner as a guide and then tweak using first principles. Here are some thoughts on how to make that work for you:

Step 1 – Use the planner for all major communication! Work through this process from start to finish so you land your messaging before you waste time editing and potentially rewriting a lengthy document.

I was reminded of the importance of this when – not joking – I was packing my bags to return from the US last week. It was so much easier to pack for the return trip than it was on the way out. The bag was also much more neatly packed. Why?

On the way over I was packing quickly for an uncertain environment. I didn't know what the weather would be like and wasn't sure whether I needed only casual gear or more formal also.

As a result, things went in and out as I worked it through.

The process was I think a bit like working out what ideas fitted into a storyline.

So … I can't emphasise enough the importance of landing those messages first.

Step 2 – ‘Hack' at least two high-level structures for your story. Be guided by the So What Strategy book (pages 50 and 51) or your desk reference. Pick one and ‘fill it in' inside the planner using your own material but copying the structure.

Step 3 – Tweak these high-level, skeletal structures as needed making sure you stick to the overall storylining principles. This means that whether the story veers away from the chosen pattern, it still includes

  1. a short introduction that explains what you are discussing and why. Reference the 10 Point Test for definitions of the context and trigger etc.
  2. one single overarching thought that is powerful and articulated in 25 words or less
  3. one of two top-line supporting structures. Use a grouping or deductive structure where the relationships between the ideas are locked tight. This, of course, is where the challenge lies.

Step 4 – Prepare your communication, following the storyline structure to ensure your document conveys your thinking as clearly and concisely as possible.

I thought a schematic of the different generic structures might help so have included it below.

>> Download the reference here.

I hope that helps. More next week.

Kind regards,
Davina



PS – We will be opening the doors for new participants soon. Here is the latest brochure
 (refreshed today!) in case you would like to tell your friends and colleagues about the program.
How to discuss risks with decision makers

How to discuss risks with decision makers

When talking about the risks in a recent Board paper with a Chief Technology Officer for a national retailer, he said something very interesting.

The risks section SHOULD make us feel uncomfortable.

If it does, then we are not only being honest but can be confident that the leadership will trust us.

His view was firmly that if we are ‘gilding the lilly' by only including the positives, then they won’t trust us and neither they should.

He said if we did that we would also let ourselves down.

We would not be demonstrating that we have thought deeply about our recommendation and how we will counter the inevitable risks we will face in delivering on our commitments within it.

If we are honest and highlight the things that are keeping us up at night and can demonstrate how well we have thought them through they will trust us more.

It will also lead to a much more robust discussion with the leaders and lead to a better outcome for the business.

Look at Mary’s example regarding the risks associated with her new talent strategy. It highlights the shift toward a powerful acknowledgement of the risks versus a ‘tick a box’ list of items to be covered.

Old version asserting that ‘all is well’ was also quite process oriented –

We will review the impact and risk associated with implementing the strategy through the agile Quarterly Business Review process.

  1. We are clear on the risks associated with this strategy and have plans to address
  2. We will track outcomes through the agile QBR process

New version with a stronger list of risks to be managed focused properly on the risks themselves while also having a clear point of view –

We have mitigations in place to minimise the risks and ensure our strategy delivers full long-term value

  1. Cementing SLT approval for FY21 and FY22 budget of $X m
  2. Working with leaders to ensure they don’t refuse to move top talent or hold onto sub part talent
  3. Investing in chapter leads so they can drive talent development within chapters

The difference is quite stark, isn't it?

I hope that helps.

Kind regards,
Davina

PS – Will I see you at this week's working sessions? We have some terrific documents to work through. Got to Session Registration on the top menu to register.

How to avoid ‘slippage’ in our introductions

How to avoid ‘slippage’ in our introductions

Last week's email focused on a common challenge with introductions: how to avoid drowning your audience in ‘background'.

This week I'd like to continue this theme by drawing on some insights from this week's Intensive Workshop.

Here was the group's big takeaway: It is easy to allow our content to ‘slip' into the wrong part of your storyline which muddles your message.

Here are two suggestions to help you avoid falling into the slippage trap.

  1. Watch that your ‘so what' doesn't slip into your trigger to surprise your audience with too much too soon
  2. Watch that your context doesn't slip into your trigger so you avoid explaining why you are communicating

Here is some more detail on each as well as a before and after example to illustrate.

Tip #1 – Watch that your ‘so what' doesn't slip into your trigger to surprise your audience with too much too soon.

Ask yourself whether the trigger you are using describes why you are communicating with this audience right now and whether it includes new and unexpected information.

Here's an example where the trigger is actually the ‘so what'.

Context – We are in a phase of the pandemic where the war on talent, the great resignation, the organisational disconnect resulting from 1 1/2 years of social isolation are putting us at risk of losing key business services talent.

Trigger – We need to engage, connect and invest in our talent.

Question – How do we engage, connect and invest in developing our talent?

So what – Organize a virtual business services summit.

As you can see, even though this leads to the intended ‘so what', it gives too much away too early. In this case, the audience were quite challenging and not convinced that ‘engaging, connecting and investing in talent' was the solution.

An alternative would be as follows:

Context – We are in a phase of the pandemic where the war on talent, the great resignation, the organisational disconnect resulting from 1 1/2 years of social isolation are putting us at risk of losing key business services talent.

Trigger – We need to focus our efforts on retaining key talent before it's too late.

Question – How do we do that?

So what – Organize a virtual business services summit to identify ways to engage, connect and invest in our high priority team members to keep them.

Tip #2 – Watch that your context doesn't slip into your trigger so you avoid explaining why you are communicating.

Remember that the trigger for doing something is not the same as the trigger for communicating.

Here's an example of where part of the context was written into the trigger:

Context – We've been asked to submit a proposal for stakeholder consultation and website review services.

Trigger – This is a competitive tender which will be assessed against 4 criteria.

Question – How can we show that we are the best providers for delivering on the project outcomes?

So What – What examples of our work can you provide that demonstrate that we are the best provider of these services?

Here's an alternative:

Context – We've been asked to submit a proposal for stakeholder consultation and website review services. This tender is competitive.

Trigger – I need your help to prepare the tender.

Question – How can I help?

Answer – Please provide examples of our recent work that help us demonstrate that we meet the following four criteria.

I hope that helps.

Have a great week,
Davina

PS – Momentum Folk – remember to register for this week's coming session.

The importance of asking ‘Why?’

In this session, we worked on Brooke's email which highlighted the importance of asking ‘why'.

  • Why might audiences be objecting (are they unwilling or unable?)
  • Why do you need to communicate? What is it you need them to know?

Once you have nailed down the ‘why', the storyline becomes so much clearer.

As always, we've included the notes below so you can see how we work through the storyline planner from the initial brainstorming through to the first draft of the email.

Hacking requirements for a job application

How do you handle being provided with 7 criteria that must be addressed in a cover letter when you want to offer a tight message highlighting your strengths?

In this short session, we showcased a strategy for ‘hacking’ requirements on a job application letter. This strategy allows you to give the potential employer what they want while making sure you also get to feature the skills and experience you wish to.

Including your storylining and communication skills, of course!

UPDATE: A few weeks later, we had the chance to work through the cover letter Andrew created as a result of our first session. I've included the recording below as it is a useful example of how to finesse the final product.